I'm still very grateful to digital cameras in general, but I didn't have this feeling with the RED one.

I can only display what I've been nurtured with, which is this worldview which has become my view. If I displayed anything different from it in my work, I wouldn't deserve this heritage.

Unfortunately, cinema critics are very few in America, 400-500 people, but there are more critics of Iran.

I think life is so difficult to catch, it's so furtive, that a copy, a film, can in no way catch it and represent it.

I never really learned photography.

If we're not going to take full advantage of digital, then 35mm is a better medium. Especially for shooting dramas - I have no problem with 35mm.

Not that I ever felt the necessity of proving that all human beings suffer the same way, feel joy the same way, but it happened on my way - when I get close to these people, just by the simple intervention of translation I can actually reach them and ask them something, and their reaction is as I expected. I see that the relationship goes so smoothly, and I realize that cultural languages and specificities are nothing but simple obstacles that you can easily overcome. It's obvious that human beings are the same wherever they are.