Whether you consider me a master filmmaker or not, I do it with my intuition and my vision, my experience as a storyteller.

As soon as people enter a theater they must become moron consumers who must be fed information.

The fact of having this very new context, this unheard-of way of working, for me was very pleasant. I didn't feel that I was working, that I had any kind of burden to wear, to carry. I really was very happy and very lighthearted during the whole process of making the film [Certified Copy], of shooting it.

I'm still very grateful to digital cameras in general, but I didn't have this feeling with the RED one.

As film-makers, it is very important for us to find common ground between cultures, and maybe that's less the case for politicians who benefit more from finding the conflicts and differences between us.

I thought that choosing a non-professional was a condition for me, because it would allow Juliette to have a less-professional way of acting. It would challenge her performance as a professional actress.

I never reflect or convey that which I have not experienced myself.