I think I really produce my best work in Iran.

It's not so much a question of whether we've shot it through 35mm or digital video; what is important is whether the audience accepts it as real.

Those same people, when they leave the theater, when they look behind the curtains they are curious about their neighbors, they can guess if their neighbors are siblings or a couple, how old they are, what their occupation is. They are curious about each other and they can understand each other without being fed information. Why should it be different in cinema?

I never reflect or convey that which I have not experienced myself.

I think Woody Allen is Woody Allen, and no matter where he goes he still makes his Woody Allen films.

In my opinion the man looks at the relationship in a more bitter fashion and the woman still holds great hopes.

As soon as people enter a theater they must become moron consumers who must be fed information.