I'm not sure that my films show the reality of life in Iran; we show different aspects of life. Iran is a very extensive and expansive place, and sometimes, even for us who live there, some of the realities are very hard to comprehend.

It was a film that I knew, that I had seen, that I was familiar with, but I wasn't anxious about it at any point during the screening. I snoozed twice, and this is something I couldn't have imagined that I would feel detached, as I did with this film [Certified Copy].

I only make notes, I don't write dialogues in full. And the notes are very much based on my knowledge of person.

I think life is so difficult to catch, it's so furtive, that a copy, a film, can in no way catch it and represent it.

My films have been progressing towards a certain kind of minimalism, even though it was never intended. Elements which can be eliminated have been eliminated.

I don't generally derive my stories from novels. I try to turn into film things I have felt or experienced.

A digital camera does have many advantages and I was a believer that digital video would be a big influence on film-making.