I started making photographs as if I were a child myself. This got me to look at things more closely, more slowly, and from vantage points I hadn't considered before.

I started making photographs as if I were a child myself. This got me to look at things more closely, more slowly, and from vantage points I hadn't considered before.

...the very basics of photography [can] be potent and strange. So why not make pictures about the medium itself and see where they would take me?

The thing that makes me want to make pictures now is just looking without many prejudices. The stuff right under your eyes is the most wonderful universe - if you care to look with young eyes.

A photograph is a photograph. When I am making a picture I am just interested in making a very interesting photograph. I don't care where it's going to go.

The spiritual aspect of my work has more to do with the sense that things in the world can be perceived and accepted as being in some respect alive. I try to approach everything that I photograph with this sense of wide-eyed awe.

At times, I have been convinced that books hold all the material of life--at least all the stuff that fits between an A and a Z.