When we vote we participate in the construction of a context.

Some have speculated that the way [Albert] Camus died made his theories on absurdity a self-fulfilling prophecy. Others would say it was the triumphant meaningful way he lived that allowed him to rise heroically above absurdity.

A river is nearly the ultimate symbol for the very essence of change itself. It flows unceasingly from one point of being to another, yet continuously occupies the same bed or pathway, and accommodates life's endings with the same musical grace with which it accommodates life's beginnings, along with all the muted and explosive moments that surface between the two extremes.

His [Ben Okri's] work poses very serious questions for the twenty-first century. Among them: To what extent will we allow the indefinable dynamics of something called "destiny" to maintain grief and horror in the world? How hard are human beings willing to fight to achieve and sustain justice, equanimity, or joy? And should progress be called such when it devours what is best within the human spirit?

Poetry, like jazz, is one of those dazzling diamonds of creative industry that help human beings make sense out of the comedies and tragedies that contextualize our lives.

War poisons the land Like diseased minds downloaded/ into bowls of tears.

What a lover’s heart knows let no man’s brain dispute.