And now we step to the rhythm of miracles. --from The Light, That Never Dies

Valentines Day itself, like most holidays in the modern era, has been heavily influenced by commercialism that focuses on the appeal of romantic fantasies.

Poetry looking in the mirror sees art, and art looking in a mirror sings poetry.

Millions of tears have fallen for black sons, brothers, lovers, and friends whose assailants took or maimed their lives and then simply went on their way.

His [Ben Okri's] work poses very serious questions for the twenty-first century. Among them: To what extent will we allow the indefinable dynamics of something called "destiny" to maintain grief and horror in the world? How hard are human beings willing to fight to achieve and sustain justice, equanimity, or joy? And should progress be called such when it devours what is best within the human spirit?

Overall, my books represent a kind of shared communion and meditation with my fellow human beings... The books are also a part of what I call the great continuum of spiritual literary dialogue that I feel has been in progress since human beings first gave in to the urge to pray to their sense of something greater than themselves and interpreted certain signs or events or silences as responses to those prayers.

While many people like the idea of exercising unconditional love, most eventually find it too draining and impossible to sustain, often because the attempt to practice it is misunderstood, discouraged, brought under attack, or made a target of willful abuse. As sad as it may be to admit, in our modern world people are far more accustomed to hearing news of war, genocide, murder, disasters, famine, and disease than they are to hearing anything about acts of love or grace.