His [Ben Okri's] work poses very serious questions for the twenty-first century. Among them: To what extent will we allow the indefinable dynamics of something called "destiny" to maintain grief and horror in the world? How hard are human beings willing to fight to achieve and sustain justice, equanimity, or joy? And should progress be called such when it devours what is best within the human spirit?

As life in general constituted much pain in the form of struggles against poverty, disease, ignorance, and emotional anguish, what more civilized way for people to alleviate the same than by giving themselves to one another as brothers and sisters in deed as well as in word? A society of people hoping to become politically superior needed first to become spiritually valid.

Although himself frequently a target of guerrilla decontextualization, a major part of the meaning of Michael Jackson's life was to help balance the accumulation of horrors with something closer to love in its most empowering and healing sense.

Creative visualization may be described as an extended meditation session that reaches beyond passive contemplation and achieves transformative action. The uses to which it may be applied are limited only by an individual's imagination.

A river is nearly the ultimate symbol for the very essence of change itself. It flows unceasingly from one point of being to another, yet continuously occupies the same bed or pathway, and accommodates life's endings with the same musical grace with which it accommodates life's beginnings, along with all the muted and explosive moments that surface between the two extremes.

An outrageous instinct to love and be loved blinded your arms to lines of propriety––Women and Men, Christians and Jews, Muslims and Buddhists, white, black, red, brown. An outrageous instinct to love and be loved executed your brain every hour on the hour.

At its most dynamic, faith evolves into powerful applicable knowledge.