At one end of the continuum known as history are first-time events that have generated notable measures of public recognition due to either a positive or negative impact.

In an age when nations and individuals routinely exchange murder for murder, when the healing grace of authentic spirituality is usurped by the divisive politics of religious organizations, and when broken hearts bleed pain in darkness without the relief of compassion, the voice of an exceptional poet producing exceptional work is not something the world can afford to dismiss.

Beauty from another world gave birth to your voice-- sent to rescue scorned hearts from traumatized nights.

As goes love so goes life.

An outrageous instinct to love and be loved blinded your arms to lines of propriety––Women and Men, Christians and Jews, Muslims and Buddhists, white, black, red, brown. An outrageous instinct to love and be loved executed your brain every hour on the hour.

Trayvon Martin, at the most, seems only to have been guilty of being himself.

When reading about what may be described as the lesser celebrated heroic figures of the Harlem Renaissance, we rarely get a definitive look at just how complicated and sometimes dangerous their everyday lives were. In fact, until the past ten years, many defined the period primarily by its well-known literary, musical, and artistic elements while overlooking the fact there was any political component to it at all.