How many fears came between us? Earthquakes, diseases, wars where hell rained smoldering pus from skies made of winged death. Horror tore this world asunder. While inside the bleeding smoke and beyond the shredded weeping flesh we memorized tales of infinite good. -from The History Lesson

Unless you are here: this garden refuses to exist. Pink dragonflies fall from the air and become scorpions scratching blood out of rocks. The rainbows that dangle upon this mist: shatter. Like the smile of a child separated from his mother’s milk for the very first time. --from poem Blood and Blossoms

In a rich moonlit garden, flowers open beneath the eyes of entire nations terrified to acknowledge the simplicity of the beauty of peace.

Poetry, like jazz, is one of those dazzling diamonds of creative industry that help human beings make sense out of the comedies and tragedies that contextualize our lives.

Whereas the insufficiency of a love neither sustained nor supreme cannot be ignored, the same should not be taken as cause to avoid one's total spiritual contractual engagement to this world.

Although himself frequently a target of guerrilla decontextualization, a major part of the meaning of Michael Jackson's life was to help balance the accumulation of horrors with something closer to love in its most empowering and healing sense.

The thorn is a bridge spanning the muddy depths of agony and sorrow so that one may on the other side dance to the drums of the rose of joy.