I get very close to people when I'm shooting them. We would go and shoot a scene with Lucy, and I would spend the whole time telling her about Rob. Then I would go shoot a scene with Rob and tell him all about Lucy. Eventually they wanted to know each other. These are two people who would never have overlapped in any other way or context. We brought to the garden at Rob's office and just sat and watched what unfolded. I remember weeping behind the camera, because I was so moved by the way they connected.

There's a real difference between a documentary that was all about facts and history and information. People just don't get as engaged in that kind of documentary - they don't fall in love, they don't cry, they don't forget who they are, they don't ride with you. As we realized we had richer, vérité kind of people, what we wanted to do is focus in on the vérité story.

I get very close to people when I'm shooting them.

You can't worship the image or the Crucifix itself. You have to worship God.

When I sat there in 1971 and watched my grandfather open Walt Disney World, I was a little 11-year-old girl who worshiped the ground he walked on. You probably couldn't have found much daylight between the NRA and the Disney company.

There are very few people who have committed more to the pro-life discourse than Rob has. He's spent time in jail. He has really lived it. He has committed everything he's had to it. If in fact he believes that every human life was sacred, I knew that if he had his conscious awakened, I knew he wouldn't be able to close his eyes to it.

A society that feels life is the most precious thing [jars against] a society that prefers death over theft, over loss of pride, over inconvenience, and so much else.