I'm always talking about how the poems I am most obsessed with are like people: complex and unknowable and with a huge capacity for many different emotions.

There's so much rage in the world now and I'm finding poems to be the place where I want to stay. I rage and rage and then write a poem and return to breathing.

All night I dreamt of bonfires and burn piles and ghosts of men, and spirits behind those birds of flame. I cannot tell anymore when a door opens or closes, I can only hear the frame saying, Walk through.

I mean, it's hard to talk about death without realizing that's our end too, right? I am constantly aware of death. It's not that I want to be, but it's a fascination of the mind and it plays a role in why I want to live my life a certain way. The more I am aware of my mortality the better person I am and the better I am at choosing a life that is aware of its beauty.

I'm always talking about how the poems I am most obsessed with are like people: complex and unknowable and with a huge capacity for many different emotions.

Language can also be play and music and beauty and desire and grief and rage and truth without always having to be message-driven or purely functional. Moving away from "useful" doesn't mean it isn't necessary. You can still need poetry while also needing money or food or physical health.

I'm always telling my students that the weirdest thing is the truth. I mean, the fact that we get up in the morning and put on clothes is weird.