Every age cuts and pastes history to suit its own purposes; art always has an ax to grind.

Every age cuts and pastes history to suit its own purposes; art always has an ax to grind.

Good architecture is still the difficult, conscientious, creative, expressive planning for that elusive synthesis that is a near-contradiction in terms: efficiency and beauty.

Real serious waiting is done in waiting rooms, and what they all have in common is their purpose, or purposelessness, if you will; they are places for doing nothing and they have no life of their own. ... their one constant is what might be called a decorative rigor mortis.

Some people wait constructively; they read or knit. I have watched some truly appalling pieces of needlework take form. Others - I am one of them - abandon all thought and purpose to an uneasy vegetative states.

The skyscraper and the twentieth century are synonymous; the tall building is the landmark of our age. ... Shaper of cities and fortunes, it is the dream, past and present, acknowledged or unacknowledged, of almost every architect.

All autonomous agencies and authorities, sooner or later, turn into self-perpetuating strongholds of conventional thought and practice.