I imagine a soul is a little perfect crystal egg floating in your chest. Somewhere deeper than where they put your heart. Somewhere so deep inside that the doctors can't find it with all their machines and microcameras.

It was like losing an important weight-bearing bone, and I knew I would spend the rest of my life trying to figure out how to walk the streets without it.

I feel that I'd rather know an actors' work, or have an instinct about them and sit down and have coffee with them, or I'll see them in something and I'll see if I can get along with them in some way, shape, or form.

I've never really felt good at the parties, but I have enough friends now that I feel social, I used to feel very antisocial, but I think the theater helps.

The rooms I tend to be in are pretty democratic and the best idea wins.

My work is always more emotional than I am. My characters say things to each other that I get accused of not being able to say to my girlfriend.

I find auditioning to be a very illusive process, where actors come in with this really big result with no process, so it's a lie already at work.