I find auditioning to be a very illusive process, where actors come in with this really big result with no process, so it's a lie already at work.

I dont see a lot of movies that portray the East Village as well as I think they can.

I don't like the sort of hierarchical, totalitarian type of room a lot of directors can find themselves in.

It was like losing an important weight-bearing bone, and I knew I would spend the rest of my life trying to figure out how to walk the streets without it.

The rooms I tend to be in are pretty democratic and the best idea wins.

Man, that's the only kind of book I like – one that's so real you want to find out everything there is to know about the person who wrote it, like how tall he is and what kind of music he likes and whether or not he really went through all the stuff he was writing about.

I feel that I'd rather know an actors' work, or have an instinct about them and sit down and have coffee with them, or I'll see them in something and I'll see if I can get along with them in some way, shape, or form.