Personally, I love Toronto.

It's very important to stretch, because while it's good to look pumped, a lot of the moves are split legs, and twisting fast. So you really, really have to stay supple.

You don't want it to be a replica or an imitation. You want to create something fresh, original, very unique.

When a child wants to be accepted, he'll do anything. And if it means you're getting a certain amount of notoriety from a fight, that's what you'll do.

I think always as an actor. I go in knowing how I'm going to play it. That's about it.

What you desire, as an actor, is to have an impact. That's why you did it. You want to move people, and you want to resonate with your audience. It's always a great compliment to have people appreciate and speak of the characters. I can go anywhere in the world, to places where people don't actually speak English, and people can say, verbatim, what I said on the show as Mr. Eko, which is great. That's fun!

There's always your initial trepidation about doing a remake, but that was alleviated by the fact that it was a prequel. Immediately, that gives you creative license to really recreate and explore and put a new stamp on the genre.