Richelieu was a great statesman, and like all great statesman, he was a very ruthless man. He's not cruel. He just does what he has to do. And in his own mind, he's absolutely right.

Richelieu was a great statesman, and like all great statesman, he was a very ruthless man. He's not cruel. He just does what he has to do. And in his own mind, he's absolutely right.

You're always looking to make it a bit fresh. I want to make sure people are constantly surprised and interested, and we're always talking to the directors about that. It's a big challenge to find people that can do it.

The BBC came to me and they wanted to adapt the book [Three Musketeers] again, in the straightforward way, and I said no to that. I didn't want to do that. But what I did want to do was have a real look at the adventure genre because I thought it was ripe for reinvention.

One of the problems of this genre is that there are cliches everywhere, and you've got to be careful and watch out. Our rule with cliches is to either gently acknowledge them and make fun of them, or do something else. Milady is, in one sense, a villain because she does bad things.

You can use the fun of the genre, but I also really wanted to come at it from the point of view of some really complex characterization. There was a lot that I wanted it to do, and I wanted it to be fun. It's fun, but it's not simple fun.

In the book, D'Artagnan doesn't actually become an official Musketeer until quite near the end, and we make quite a big thing about that. I won't give too much away, but when he finally does make it, they're not going to make it easy for him. That never changes.