I think you get better at staring into space. Especially living in the South of France.

It's the sort of subject that always interests me: jealousy and the language of suspicion and guilt. I think it interests people.

Always, with any movie that I do, I have a book of ideas that I've heard, or seen, or whatever, and I always try to incorporate it in the film.

I've always been interested in films where you can identify with the actors. Where you can be in their shoes and therefore be more involved if they're people that you recognize.

The danger is that if you have a bunch of ideas that you forget to use.

If you are prepared to make a fool of yourself for them then you usually get that back. I think that there are points where you become so close to an actor, you know them so well, almost as well or better than their spouse. You have to know them, warts and all.

I wanted to make a movie about the arbitrary nature of love.