I was watching Monster's Ball, which is a fabulous movie. It's just a little gem: beautifully shot, and shot in a way I never would have done. It made me feel very old, really, because it wasn't eccentric for its own sake, it was just very original.

Always, with any movie that I do, I have a book of ideas that I've heard, or seen, or whatever, and I always try to incorporate it in the film.

It's the sort of subject that always interests me: jealousy and the language of suspicion and guilt. I think it interests people.

I think you get better at staring into space. Especially living in the South of France.

Well, I think just the fact that you are making your first film is a huge step.

Their every instinct - and I have to say this is without exception - is to iron out the bumps, and It's always the bumps that are the most interesting stuff.

Foxes was a movie that didn't do a lot of business but it didn't do too badly critically and eventually they offered me other things. The interesting thing was that next I tried a film called Star Man, which Michael Douglas was producing.