One of the hardest things for me to do is be fully open in a poem. By that I mean, honest and not trying to amplify some mythological version of myself. I was a poor, geeky black kid in Indianapolis. There is nothing mythological about that. So to try to truly render the kind of economic and racial inequity I grew up in, I had to find a way to be more honest about what happened. And it wasn't fun to write, even though the poems aren't 100% autobiographical.

You should check out William Shatner's album The Transformed Man. It will alter the way you hear poetry forever. And not in a good way.

The 1990s were also when a bunch of the soft-shoe language for race, gender, and class became paramount. Because before that I wasn't thinking about systems or food insecurity or whatever. I was just thinking about not getting picked on for being black and not being hungry.

I was fortunate enough to get a job at my alma mater, which brought me back to Indiana after being gone for twenty years. There is no way I would have written these poems had I not come back. They are 100% the product of the circumstances that led me home.

I learned a new language for it all in the 90s. Which in some ways isn't bad... I mean getting people to think about what language actually means before they use it is a good thing. But it's become very clear the past nine years that some Americans truly resent thinking before they speak.

The day after the president Trump election, I remember feeling like it was 1984 again. It was in the air somehow. That ownership of bigotry. I hadn't seen it since I was a kid. It made me want to change the kinds of poems I was writing, but I'm terrible at writing overtly political poems.

I was always casting about for role models as a kid and the Star Trek was always available via reruns and also full of possibilities. I wanted to be like Spock because he was unflappable. I wanted to be like Kirk because he had magnetism and the ladies loved him. Bones was a grouch but he was sympathetic. The show worked like a boy band in that way... it had characters who embodied different psychic or emotional positions and that allowed me to see a great range of things.