I wasn't really a big comic book guy, growing up. I watched cartoons, but the choices were a whole heck of a lot slimmer.

You always have good shows and bad shows. People want a certain amount of each. It's just widening the market a little bit. The involvement of people at home is just broadening things.

You do a couple of superhero things and then, all of a sudden, they want to get you because there may be some name value.

People ultimately get what they deserve on TV. What people end up watching is what the advertising end up glomming onto and promoting.

You really have to bring your game and know what you want to do. And then, there are the producers and the writers and the director on the other side of the glass, and what they want. You have to be malleable to what's going to work, and you have to stay in the framework of the context.

Nine times out of ten, I'm trying to meet someone else's expectations, whether it's the director or the writer or the animator, when I go back in to re-record a line. I'm the icing on the cake, but the cake is the thing. I'm really just a hood ornament on a very solid vehicle.

More and more people are watching entertainment on their phones. On a plane or on a train, or whatever, you see people with their headphones and they're looking at their iPhone or their Galaxy. You're reducing a medium that's meant to be seen on your 65-inch plasma screen at home for your 4-inch monitor on the train. People are ready to do either, and the content has to work on both.