War is chaotic and when you start having a larger scale film and you have a lot of safety protocols and choreography, I would imagine it becomes more difficult.

It's interesting because you feel on the one hand, we understand people from what the say, and in another sense, you'd think that you'd be able to convey more through dialogue.

Doing interviews is very different from working as an actor, because it's up to the journalist not only to understand what I'm trying to convey, but to convey that understanding through their process. And often times it gets manipulated, sometimes intentionally, by pulling things out of context. Some people may not appreciate your work and some may be incredibly moved by it. So that isn't the concern. You have to do what you can do, and share what you feel is appropriate to share in the moment. And then, it's out of your control.

What guides me is to do work that's more avant-garde - things that I think are special. You can easily become a celebrity and get caught up in all that blur. I just want to work and surprise myself.

My parents have raised me with a sense of what's really important and have given me decent values, and I'm comfortable, but I haven't lived an excessive lifestyle in the least. And I've kept my expenses to a minimum so that I have the freedom to wait.

I was a wild, mischievous kid, and I had tremendous imagination. Any experience I had, I'd try to reenact it.

I did a real boot camp once which with The Thin Red Line which was learning military exercises and this was far less strenuous. I really had a blast. We were all kind of thrown into the woods and we didn't have any of the modern conveniences that we take for granted. Learned how to survive without anything.