It's interesting because you feel on the one hand, we understand people from what the say, and in another sense, you'd think that you'd be able to convey more through dialogue.

My dad told me, 'It takes fifteen years to be an overnight success', and it took me seventeen and a half years.

Doing interviews is very different from working as an actor, because it's up to the journalist not only to understand what I'm trying to convey, but to convey that understanding through their process. And often times it gets manipulated, sometimes intentionally, by pulling things out of context. Some people may not appreciate your work and some may be incredibly moved by it. So that isn't the concern. You have to do what you can do, and share what you feel is appropriate to share in the moment. And then, it's out of your control.

Part of what attracted me to the village was it had a lot of parallels to contemporary issues. Like, fear and the way fear controls us. How the governing body of a town, or a nation, controls us through fear. They might mean well by it, but we are conditioned to be afraid of things. Fear of the unknown. Fear of terrorism. And it's unfortunate.

I grew up without a lot of money and my parents grew up with far less money. And that's kept me in line. Really in line.

Obviously I'm not there to pick up anybody, but I'm not afraid to hang out in a predominantly gay establishment.

I think you have to be fair with one another. It's unfortunate when someone does something that's not authentic, or not there for any reason other than to draw attention.