The only bridge I've ever burned along this legacy I dance is the one that linked the cities of prosperity and chance.

In a time where everything's a flavor of the month, and it's hard to have any sort of longevity, I've been able to sell records still. I want to be the guy that stands out there and says thank you personally to everyone. And I try after my shows and kick it because I want to genuinely say thanks.

The thing about the state of hip-hop is that people are too concerned. I don't think that there's a problem with being too concerned about videogames, especially for me, because I'm not in the industry. I'm just a consumer. But hip-hop is constantly like, "What are you doing for the scene?"

For a guy who didn't expect a fan base whatsoever, I'm pretty stoked. People say they don't understand it, and I say that's okay. I don't think anyone can argue that I'm not trying to do my own thing at least.

You can't get someone to like something they aren't feeling. After you press play, there isn't anything you can do.

I've been able to tour because of my music and I've learned a lot about myself while on the road. I think some of the imagery of my writing are snapshots of where I've been and my feelings about the world.

I started freestyling with friends about eight or nine years ago. I started writing also around the same time, but didn't meet blockhead until about '94. I started making beats not until about '96.