The thing about the state of hip-hop is that people are too concerned. I don't think that there's a problem with being too concerned about videogames, especially for me, because I'm not in the industry. I'm just a consumer. But hip-hop is constantly like, "What are you doing for the scene?"

In a time where everything's a flavor of the month, and it's hard to have any sort of longevity, I've been able to sell records still. I want to be the guy that stands out there and says thank you personally to everyone. And I try after my shows and kick it because I want to genuinely say thanks.

People are very adamant about maintaining a certain sound or a certain era, like, "There were three years of rap that were great, so let's just keep doing that." The genre itself is just stuck in place. It's been treading water for a while.

The only bridge I've ever burned along this legacy I dance is the one that linked the cities of prosperity and chance.

You can't get someone to like something they aren't feeling. After you press play, there isn't anything you can do.

Everyone's been on the "hip-hop is dead" campaign for years, and now it's the most unsure-of-itself genre ever.

I started freestyling with friends about eight or nine years ago. I started writing also around the same time, but didn't meet blockhead until about '94. I started making beats not until about '96.