People get caught up in worshipping certain rappers, or they try to demonise hip hop by looking at what certain rappers are doin' in their lives.

People get caught up in worshipping certain rappers, or they try to demonise hip hop by looking at what certain rappers are doin' in their lives.

That's definitely my goal, and always has been through the Universal Zulu Nation, is to show that music breaks down all that foolishness and can bring all types of people together, especially when you can mix it and shape it. That's the beauty of sampling: taking the old sound and recreating it and making something new, or bringing back the old sounds, mixed with some heavy grooves and beats, so people can remember. "Oh, I remember that, back in the day."

It ain't no joke when you lose your vinyl.

We want you to sit down and leave your egos at home and let's get an understanding as to where all this is foolishness coming from. There are others who are putting things out there or throwing a stick and hiding their hand and keeping things built up in the media.

I knew that as a DJ from 1970 on up that I would eventually come with this sound. I brought out all these other break beats that you hear so much on a lot of these records.

There are a lot of true culturalists who respect where they're from, but you have some who are just all about the benjamins, like, "I wanna get my money, I wanna get mine, you get yours, more power to you," and they don't care. That deals with the whole thing of life, whether you're agreeable or disagreeable, the yin and the yang, the evil versus good. That's how it is in the music industry. There are people who care for the whole culture and what they're doing, and have love for it, and are not into just making money.