Anything important has to be almost invisible. And underrated. So the understructure should be underrated, but strong enough to hold the earth.

I went through about six or seven painting methods just to see what I didn't want to do. And then I got off the wall, and went into the environment.

We use up words as we use up images. We use up everything, and that's good, because it makes us grow.

Every one of my works, when I'm looking back, becomes some kind of solution, or something to concentrate on. Something to pay attention to and maybe change direction.

I always was alone. And I'm alone today. It's fine. I have lots of friends, but not in terms of working together.

I never considered myself a performance artist.

Most wonderful things are unconscious.