the labors of the true critic are more essential to the author, even, than to the reader.

If history in the making be a fluid thing, it swiftly crystallizes.

For indeed all that we think so new to-day has been acted over and over again, a shifting comedy, by the women of every century.

It is not begging but the beggar, who has forfeited favor with the elect.

There are people who balk at small civilities on account of their manifest insincerity. ... It is better and more logical to accept all the polite phraseology which facilitates intercourse, and contributes to the sweetness of life. If we discarded the formal falsehoods which are the currency of conversation, we should not be one step nearer the vital things of truth.

A villain must be a thing of power, handled with delicacy and grace. He must be wicked enough to excite our aversion, strong enough to arouse our fear, human enough to awaken some transient gleam of sympathy. We must triumph in his downfall, yet not barbarously nor with contempt, and the close of his career must be in harmony with all its previous development.

I am seventy years old, a gray age weighted with uncompromising biblical allusions. It ought to have a gray outlook, but it hasn't, because a glint of dazzling sunshine is dancing merrily ahead of me.