I suppose each project is a new thing, so there's all this excitement and nerves about this new thing. Every single thing is like a new thing, so it's never what I expect. I don't know what to expect for the next thing. There are always different people. It's interesting.

Laughing is, like, my favorite thing to do.

It is captivating, isn't it? England has such a great scene of electronic music, and I think that was very prominent in Pusher, and the nightlife was the beat of the film. I feel what is really great about Pusher is that it wasn't about drugs and guns and strippers. That was just all circumstantial. I felt like it was really about people and how decisions and circumstances can change relationships. Something just happens. Everything changes for a reason.

I'd like a relationship that was like two tree trunks side by side, strong but independent.

When you're young, you say it how it is, and even your views are, like, 'This is totally the truth', 'cos you don't know any difference, so there's a real confidence in your way of thinking.

I feel like every project that I've been doing, I've learned something about myself. It's like I've cracked something, or my vision of myself has gotten wider. I'm just learning and growing, and overcoming the fear.

Not just in modeling, but in society, there's so much pressure about what a woman should be, and, of course, it's just so unobtainable. You can never become that thing, because it's such a projection.