You know, I've been thinking: all the women in the books you like -- Sartre and Camus and all that -- they don't really exist. Not as people. They're only there to wait for the men. To love them and be loved back or not -- mostly not; to be beaten up or killed; to appear as a face on the wall of Meurseault's cell--

I haven't come to you only to take , I haven't come to you empty handed : I bring you poetry as great as yours but in anther tongue , I bring you black eyes and golden skin and curly hair , I bring you Islam and Luxor and Alexandria and Lutes and tambourines and date-palms and silk rugs and sunshine and incense and voluptuous ways

And Egypt ? What is Egypt strenght?her resilience ?her ability to absorb poeple and events into the pores of her being? is that true or is it just a consolation ? a shifting of responsibility? and if it is true , how much can she absorb and still remain Egypt ?

I now find myself looking at every sentence, every image, that purports to tell the West about the Arabs and the Muslims with this question in mind: to what extent does it feed into existing stereotypes and established prejudice?

She had been wrong to think it wouldn't matter that much to him, yes,He took her for granted, of course he did , but he took her for granted - not like an old coat in the corner of a dark cupboard, as she'd put it to herself , but like the very air that he breathed .

So at the heart of all things is the germ of their overthrow; the closer you are to the heart, the closer to the reversal. Nowhere to go but down. You reach the core and then you're blown away--

It is that happy stretch of time when the lovers set to chronicling their passion. When no glance, no tone of voice is so fleeting but it shines with significance. When each moment, each perception is brought out with care, unfolded like a precious gem from its layers of the softest tissue paper and laid in front of the beloved — turned this way and that, examined, considered.