A historical property has morals and ethics of the society that created it and it can be revived. What I mean is that we can discover new possibilities from the process of dismantling, transforming, and recreating.
Ai WeiweiI deal with students every day - from China, Germany, the United States, Hong Kong and Taiwan. And I've noticed that the Chinese students are the least trained in having a sense of aesthetics. They lack any ability to sense what is beautiful or what is proper. They can be learned and skillful, but they lack the ability to make their own free judgment. It is really sad to see young adults of 20, 25 years who were never taught to make their own decisions. People who can't do that don't get a sense of responsibility. And if you lack a sense of responsibility, you push the blame onto the system.
Ai WeiweiI never felt like a Chinese citizen because I was pushed away at a very young age. My father, a writer, was a national enemy of the Communist Party. He was forbidden to write for 20 years. We literally lived underground. We dug a hole and lived there for years. My father cleaned public toilets, even though he was a highly respected poet. Nationality and borders are barriers to our intelligence, to our imagination and to all kinds of possibilities.
Ai Weiwei