I always want to design a frame that’s open to everyone. I don’t see art as a secret code.

A historical property has morals and ethics of the society that created it and it can be revived. What I mean is that we can discover new possibilities from the process of dismantling, transforming, and recreating.

I think optimism is whether you are still exhilarated by life, whether you are curious, whether you still believe there is possibility.

When you have strict censorship of the internet, young students cannot receive a full education. Their view of the world is imbalanced. There can be no true discussion of the issues.

That's why I always question this sense. The feeling of home really requires a lot of trust. It requires you to identify with it, which I always find myself very contradictory to.

I’m an artist who is always looking for what is possible. I’m always looking to extend the boundaries.

If it's possible, I will have some noodles in the morning and start talking to people, start to think about a few things in my head - the project or a few ideas which are not finished or if there are possible directions and what will lead into another game. It's always like setting up some kind of game you can continuously play.