Somehow, we [ Tan Dun and director Chen Kaige] were all privileged at the time; we could be outside of China. But at the moment, we had no sense of what the future was going to be like.

Even though everybody who looked at me would call me a Chinese artist, that's the 1980s. New York in the '80s was not so interesting. I think it's quite narrow-minded. There wasn't much encouragement or opportunities for any artist - not just Chinese artists.

China seems unpredictable because it has a distinct culture and social system. It is still a mystery to other parts of the world, even though the veil of China has been lifted many times as a result of globalization.

The IT people who have made such an effort to know and understand computer technology. They are frustrated that you cannot use Facebook, Twitter and YouTube in China. They are the first to recognize that the situation is terrible.

New York has given me a lot, but I still don't consider it home.

Only with the Internet can a peasant I have never met hear my voice and I can learn what's on his mind. A fairy tale has come true.

Any individual can contribute its own belief. And our society or even our government are made by the people. The people would have the final voice, but it requires each individual to act. If we don't act, then the result is very clear. So for too long Americans take liberty as granted. We think we are in the safe hand, the democracy and the liberty, which is not true. And it can be even getting much worse than today.