The artistry on the show [ Underground] is apparent in each episode. From the riveting writing to the purposeful and precise direction, the masterful work of the DP [Director of Photography] Kevin McKnight and his crew, and the layers and depths each actor goes to to ensure we the audience feel a human connection to these characters led me to sign my name on the dotted line.

Thank God for Canada! In the context of this narrative [in Underground] and beyond, Canada was certainly an additional option for the many traveling the treacherous terrain of the Underground Railroad in pursuit of what was perceived as "freedom."

I had praying grandmothers who bathed me in "The Word" and filled the atmosphere with worship. Though I developed my own personal spiritual relationship later in life, the foundation they laid is what my faith was built upon.

I became an instant fan of the show [Underground] seconds into the opening frames of the pilot. When that drone shot carried us through the main house with Rosalie, played so unflinchingly-brilliantly by Jurnee Smollett Bell, I signed on for the ride.

When you understand the purpose [of life], then you can deal and journey through the obstacles, the rejections, the stops and starts, highs-and-lows with a different lens because you know that you're moving in what you're supposed to do.

Remakes are awesome, especially when it honors yet adds a new component or dimension to the original. But truthfully, we have so many stories, lives and subjects to explore that I'd love to keep pushing towards new knowledge.

An opportunity to honor the legacy of the lives drawn into the lines in my face, the broad of my nose, the dark of my eyes, the fullness of my lips, and coal in my complexion.