The difference being that in films, unlike in life, good does always win over evil in the end.

I'm going to keep making films I believe in. Whether I am successful or not is besides the point.

If somebody had started on a remake of French Kiss before I announced my own film, I would have dropped my subject. If someone else starts after me, what am I to do?

By getting into distribution and production, I am actually widening my base.

Today I divide my day between being actor, producer and distributor, and the monotony is broken.

In the South, it is different, they have a audience that is literate.

Abroad, they have covered pretty much all subjects, explored every possibility, every twist. So similarities between ideas you have and those filmed abroad are quite possible.