To me exposition always contains tenderness. While a dramatized scene is a way of proving and guaranteeing an emotional experience for the reader, exposition assumes that the reader is sophisticated and can see the universal.

As a human being living one's life, one is more open to relief when there is rain or the expectation of rain. That readiness for hope gets manifested in my stories and that of many other Indian writers.

For me, a lot of the humor comes not from innocence but from characters trying to figure out how to get what they need. I don't try to be funny, but am relieved when an opportunity comes up for humor.

My parents are deeply pious Hindus.

Why do people always think hurting others is all right, as long as they hurt themselves as well?

It is hard to write about physically difficult things without causing the reader to disengage.

Money is part of how we move through the world, what stores and restaurants we go into, whether we take a train to the airport or a taxi. Describing characters living in the real world requires describing them engaging with money. There are also so many emotional aspects to money - feelings of inadequacy, feelings of security. I am not sure if there needs to be more about money in fiction, but the absence of this aspect can make a story feel somehow frictionless and unreal.