I understand the directors much more. I was always rebelling against them when I was a youngster, I didn't want to be told what to do. I had no identification.

There is no happiness. There is only concentration.

I was watching Revolution, and the things I did in that picture, holy smokes! I can't believe I did that, it's like another person. It's the thought of it, it's just appalling to me.

I don't regret anything. I feel like I've made what I would call mistakes. I picked the wrong movie, or I didn't pursue a character, but everything you do is part of you and you get something from it.

I'm naturally shy but I've done this [movie Salomaybe] so much and you get better at it than you would think.

Women have always had equal importance onstage, and working with them must have altered my sensibilities. I've never felt sensitive to the whole issue, because being macho has never been a problem with me.

Being the actors of the craft, the trade, one of the big things you do and you learn is about repeating. There is something to the repeats. I think that is part of what is healthy to young actors. Get out and learn something just through doing that, repeating.