It was a compromise. There was a sense that I could write my own memoirs, and Larry [Grobel] would help me down the line, or maybe not, maybe he was too close to me.

They say we die twice - once when the last breath leaves our body and once when the last person we know says our name.

Show me a bad script and I will show you a big payday.

I was watching Revolution, and the things I did in that picture, holy smokes! I can't believe I did that, it's like another person. It's the thought of it, it's just appalling to me.

I've often said there's two kinds of actors. There's a more gregarious type and the shy type.

Is it possible to do something that that makes an audience uncomfortable, challenges them, makes them see things they're not used to? Here in these films [Salome the play and Salomaybe], I have the opportunity to say something about how I feel about things.

Take a look at Israel's history and you would know who the terrorist is.