The dream of the news is that it makes us care about other people and situations. But we cannot identify with people to whom we haven't been introduced. Humans will only respond to art, to people who are skilled in making you care.

We are continuously challenged to discover new works of culture—and, in the process, we don’t allow any one of them to assume a weight in our minds.

We are sad at home and blame the weather and the ugliness of the buildings, but on the tropical island we learn that the state of the skies and the appearance of our dwellings can never on their own underwrite our joy nor condemn us to misery.

Rather than teasing the buyers, we may blame the society in which they lived for setting up a situation where the purchase of ornate cabinets felt psychologically necessary and rewarding, where respect was dependent on baroque displays. Rather than a tale of greed, the history of luxury could more accurately be read as a record of emotional trauma. It is the legacy of those who have felt pressured by the disdain of others to add an extraordinary amount to their bare selves in order to signal that they too may lay a claim to love.

A good half of the art of living is resilience.

Those who divorce aren't necessarily the most unhappy, just those neatly able to believe their misery is caused by one other person.

Taking architecture seriously therefore makes some singular and strenuous demands upon us...It means conceding that we are inconveniently vulnerable to the colour of our wallpaper and that our sense of purpose may be derailed by an unfortunate bedspread