[The business is] more corporate and more formulaic and less experiential.

There's a familiarity that sometimes shocks and annoys the hell out of me. People want a relationship with you that they haven't earned.

If you want to be an actor and you love acting, you can do it whether you're doing something else or not. You can be connected with community theater or make your own little movies. But, if you want to be a movie star, you've got a tough road ahead of you.

If I'm doing a fake movie, it's gonna be a fake hit.

Improvisation sometimes seemed more like jazz than acting, like verbal jazz, with the actors playing a theme back and forth, and then introducing another theme, incorporating it, somehow trying to work their way all together to a meaning of some kind, or at least a conclusion.

I gotta keep busy. I'm not happy unless I'm working on two, three things.

Hollywood is a strange place. The class structure here is more rigid than almost anyplace I've ever experienced. It's made more difficult by the fact that it's constantly changing. You never know what class you belong to unless you're one of the two or three people that have been in the same echelon for a long, long time.