I like working on things that are very different and that involve different disguises.
Macbeth was the first play I ever read.
When there's an adult person who's scaring you, you grow up pretty quickly.
You should *have* an experience; it shouldn't just *be* an experience.
A sweaty Macbeth with blood on his arms coming in fresh from the battle doesn't interest me.
Usually, there's a story I've told that leads up to why I'm singing the song. The whole concept of the show was about being authentic and connecting with these songs. The best way to do that was in a room with an audience and for people to listen to that.