I've never really cared much about money. I've got enough to live on. And it's not like I live in a fancy house, it's not like I own a car, and it's not like I ever go on holiday.

In countries like the U.S. and Great Britain, we exist in a wholly sexualized culture, where everything from cars to snack food are sold with a healthy slathering of sex to make them more commercially appealing.

I'm the king of the 20th century. I'm the boogeyman, the villian, the black sheep of the family.

I love the smell of paper in the morning; it smells like victory.

A lot of the critique of our growing mechanization was actually at its strongest, and arguably at its most perceptive, during the late '60s.

Everybody is special. Everybody. Everybody is a hero, a lover, a fool, a villain. Everybody. Everybody has their story to tell.

It seems that every movie is a remake of something that was better when it was first released in a foreign language, as a 1960s TV show, or even as a comic book. Now you’ve got theme park rides as the source material of movies. The only things left are breakfast cereal mascots. In our lifetime, we will see Johnny Depp playing Captain Crunch.