There's nothing better than having an experience now that's the exact same thing I would've done when I was 16, like texting a really awkward "I like you" message to someone. The way you phrase it might change, but it will always continue to happen, and there's something really charming and calming about that.

I think it's more about trying to just focus exclusively on writing music and making that a viable, sustainable lifestyle. It's difficult because it forces you to really get creative.

Because anybody can find their fan base through the Internet, it opens opportunities up for talented people along with people like Rebecca Black. It makes you more choosy and also more receptive to absorb anything for 15 seconds - let alone 15 minutes - to decide what you think about it.

There's a very distinct difference between a really wonderful DIY label and a soft drink company, or a car company, or a clothing brand, and you will always understand that difference.

Things are changing at such a rate that you really can't get too familiar with anything that you own in relation to what sort of functionality it has in your life.

I never willfully want to write the same record twice, which is probably why I jump from project to project. But I can't ignore that there are things that inspire me, and I love celebrating those.

Memory is just as much of an instrument as anything else in music, so I wanted to create soundscapes that are evocative of places that only exist in your head - that's where the fun, psychedelic stuff happens anyway.