Classical music's ability to translate emotional themes is fantastic.

The only time it dominates is during a solo, or when we play a low blues and I put figures in behind Eric's vocals. There's never any real problem fitting guitar and organ together.

The one phrase you can use is that success has a thousand fathers, and failure is an orphan.

I think it's like everything else; one shouldn't dig too deeply. It's silly to say that with a journalist, but sometimes there is not a truth to be found.

Classical music's ability to translate emotional themes is fantastic.

I use a lot more chords than most organists and I'm careful to phrase them with the guitar.

Everybody's going through changes. No one knows what's going on. Everybody changes places, but the world still carries on.