The point about a great story is that it's got a beginning, a middle and end.

England in the '60s and the '70s was everything that history has said; it was phenomenally exciting, musically.

I'm always aware of the camera and it feels like that's the audience.

If you judge the character, you cant play it.

I love working in New York theater.

I have a photograph at home of Fred Astaire from the knees down with his feet crossed. It's kind of inspiring because it reminds me his feet were bleeding at the end of rehearsals. Yet when you watch him, all you see is freedom. It's a reminder of what the job is about in general, not just being in musicals.

I like it when stories are left open.