I mean, language fascinates me anyway, and different words have different energies and you can change the whole drive of a sentence.

I have a love-hate relationship with white silk.

Parts win prizes, not actors.

England in the '60s and the '70s was everything that history has said; it was phenomenally exciting, musically.

I was coming from a very cerebral, dark, difficult, layered play by Christopher Hampton and doing an action movie in Hollywood (Die Hard) with explosions, and I was holding a gun.

I'm a lot less serious than people think.

It would be wonderful to think that the future is unknown and sort of surprising.