When I am asked about influences, I always say I bow down to Fred Astaire, because when you look at him dancing you never look at his extremities, do you? You look at his centre. What you never see is the hours of work that went into the routines, you just see the breathtaking spirit and freedom.

One thing I will say - my job gets harder and harder. The more you understand about what you are capable of, the less the instrument can do it physically. It's an inverse equation, if that's the right phrase. I just slammed those two words together. It sounded right.

There's a voice inside you that tells you what you should do.

With the best intentions, the job of acting can become a display of accumulated bad habits, trapped instincts and blocked energies. Working with the Alexander Technique has given me sightings of another way... Mind and body, work and life together. Real imaginative freedom.

If people want to know who I am, it is all in the work.

I'm very aware that when one is acting in the theater, you do become kind of animal about it. And you're reliant on instincts rather than tact a lot of the time.

I'm a lot less serious than people think.