As strange as it may sound, I think I'm a lot more at peace with the fact that you can't guarantee you're going to be all right [at] any time.

There are people in poverty who, if they have the gumption, say, "I'm leaving here. I'm gonna take three jobs and make it." There are definitely people who do that, and it shapes the rest of their life. And that's almost as unfortunate as someone who says, "Why bother? I'm not even gonna try." There are people consumed by that, and I've been affected by it. It's been a detriment for sure. It was ridiculous, and I don't want to see anyone go through that again. It makes me compassionate, and when I see it, it makes my shoulders tense up, and you remember it.

I'm trusting everyone around me who seems to be confident and happy with what we're up to.

We all know people who have worse fates. What do I have to complain about for Christ's sake? I have a beautiful wife and kids, and all this music, kids are paying my bills.

I've got a real love-hate thing with the saxophone. I've got to be careful.

We're getting bombarded by the most polarizing reactions. As much as the punk in me likes it, I'm really surprised by the weird energy that comes at you when people talk to you like that. I mean, I know there are people out there who loathe me and loathe Low, but they stop short of broadcasting it. It's just interesting to see that line getting breached.

I feel like we're always on the edge of someone standing up and saying, "Hey, the emperor's naked." I'm expecting that any second. But we're pretty lucky that way. The longer you do this, the more treacherous it can be, and the more pitfalls and sort of bad diversions you can find to paint yourself into a corner. But with every record, we try to change the situation, yet still keep it comfortable, and we're lucky to work with people who are inspiring to us who'll give us that extra push. It's nice to make records that are appreciated.