I haven't been to too many cons since Star Wars, and I don't think it's really going to change until it comes out.

[ Gareth Edwards] never wanted to force anything that wasn't true. He's very much an actor's director, and it was loose.

I feel much more comfortable as an artist collaborating with others because I feel more mature.

I wrote and directed and acted in it and produced it, every job I have since that - and Star Wars included - I look at it completely different now. Now that I've seen how it gets made, I can appreciate the jobs that people are doing, and it's also become a different learning experience for me to work on things because I'm watching pros at the top of their field do their jobs and just picking up on their tricks and all of their expertise and stashing them away in my brain.

[Clowns] gotten a really bad rap in the last few years. People have really given into their own fears and have celebrated their fears in that way. American Horror Story didn't help.

This is reverent. This is Star Wars, damn it. You don't screw around with it. The things that were improv'd or added that developed on set weren't huge departures as far as storyline or anything like that goes. They just were clarifications in character or, at the best moments, they spoke to the moment in the story in a way that, at least with Kaytoo, tended to be funny.

I actually oddly have done another robot motion capture. I did Sonny in I, Robot.