This is reverent. This is Star Wars, damn it. You don't screw around with it. The things that were improv'd or added that developed on set weren't huge departures as far as storyline or anything like that goes. They just were clarifications in character or, at the best moments, they spoke to the moment in the story in a way that, at least with Kaytoo, tended to be funny.

[ Gareth Edwards] never wanted to force anything that wasn't true. He's very much an actor's director, and it was loose.

Those are always fun characters to play, the ones who are stupid but speak with authority.

I definitely knew how to fly. That's something you don't forget. One spaceship is pretty much like another when it comes to flying.

I was going to be credited as Wray Nerely, my role in Con Man. It got cut in the reshoots. I was like, "Wait a second. I'm cut." It's a better telling of the story, but unfortunately, Wray Nerely gets cut, which is actually exactly right because if Wray Nerely was ever in Star Wars, he wouldn't make it to the final edit.

When we recorded [Moana], I would do all of the stuff and then save all the big screaming for last so that you can really blow it out and ratchet it up every time, get that perfect panicked pitch.

It was great. We knew we were going back when we finished the movie. It was such a big movie [Star Wars].